Quantcast
Channel: London – All About Shipping
Viewing all 527 articles
Browse latest View live

Seatrade Clean Shipping Award goes to GAC EnvironHull

$
0
0
Simon Doran, Managing Director of GAC EnvironHull Limited (centre left) with the Seatrade Clean Shipping Award, presented by Kitack Lim, IMO Secretary-General (centre-right)

Simon Doran, Managing Director of GAC EnvironHull Limited (centre left) with the Seatrade Clean Shipping Award, presented by Kitack Lim, IMO Secretary-General (centre-right)

Accolade recognises benefits of brush and diver-free underwater hull cleaning technology

London, 12 May 2016 – GAC EnvironHull’s innovative HullWiper hull cleaning technology has won the Clean Shipping title in this year’s Seatrade Awards presented this week in London. It is the fourth major industry award the diver-free remote-controlled system has won since it was launched at the end of 2013.

The Clean Shipping Award is presented to new or improved technology which makes a significant contribution to reducing the negative environmental impact of shipping. By presenting to title to GAC EnvironHull, the panel of judges recognise its ability to deliver a foul-free hull quickly, conveniently, economically and without risk to human life or the delicate marine environment.

Since its launch in Dubai two and a half years ago, HullWiper has been approved for use at ports in the Middle East, Europe and Asia, and more than 400 hull cleaning operations have been conducted using the Remotely Operated Vehicle (ROV) to date.

Not only does HullWiper effectively clean vessels’ hulls of fouling with water jets rather than brushes or other abrasives, it also collects debris from the operation for ecological disposal on land, thus reducing the risk of cross-pollination of waters with alien species.

The Clean Shipping Award was presented to Simon Doran, Managing Director of GAC EnvironHull. He says: “Even in a depressed market place where oil prices have taken the pressure off of vessel efficiency and operating costs to some degree, there will always be room for greater safety and the protection of the environment. This Award win is a valued endorsement from the industry that the HullWiper revolutionary hull cleaning system meets the stringent and vital marine environmental protection standards.”

HullWiper is now in use at the ports of Jebel Ali, Sharjah and Fujairah in the United Arab Emirates, Sohar in Oman, Singapore, Spain and in Scandinavia. For more about what GAC’s hull cleaning experts can do for you and your fleet, go tohttp://gac.com/shipping/hull-cleaning-solution.


Life Threads: ocean-inspired paintings by Giorgia Concato

$
0
0
Giorgia Concato and Carola Syz, with Threads of Light.

Giorgia Concato and Carola Syz, with Threads of Light.

Life Threads: ocean-inspired paintings by Giorgia Concato, in London show presented by Carola Syz Projects

By James Brewer

“I have always loved diving, ever since I was a little girl,” says the artist Giorgia Concato, an aficionada of depths oceanic. “It is the small things you find underwater that are so fascinating: in just 10 sq cm you see so much life, algae, fish and so on. Where I dived, there used to be red coral and beautiful shells, although those are no longer there.”

Born in Rome, Giorgia Concato, who has for years lived in the north of Sardinia, says that those plunges into the Tyrrhenian Sea infused her approach to her artwork. When she was young, she would be out all day with her pet German shepherd dog in a canoe, springing in and out of the water. Her explorations beneath the waves were to yield the symbolism and symbioses that inform her studio technique.

Giorgia Concato with her work Bubbles Underwater.

Giorgia Concato with her work Bubbles Underwater.

A selection of her output is on display in the foyer and dining areas of the refurbished five-star Hotel Baglioni (a luxury establishment that boasts “an Italian heart”) in Kensington, until June 2 2016. In the exhibition, presented by Carola Syz Projects, the canvases are chosen to reflect her skill in lovingly turning found and observed objects into material for allusive composition. She is fascinated by the primordial elements, such as light and water, and sophistication is one of her hallmarks, but it is clear that quality does not have to rely on visual complication.

The artist creates organic structures in white or grey, but there is nothing dull about them. As the viewer walks past, the changing play of light, whether artificial or natural, casts change over the images. Such is particularly the case with Bubbles, which is acrylic on wood with metallic paint and silver leaf. “I like to use materials that help me obtain that effect because then the work is somehow alive,” says Giorgia. The bubbles in an expanse of water point to a mysterious underwater landscape, where there is something hidden in the depths. “It could even be ancient ruins or remains, but still the root is something organic.”

Threads of Light. Mixed media on wood.

Threads of Light. Mixed media on wood.

Most of her works involve wood, and some use real sand. Equally, “I can be interested in things that are man-made: I like to recycle.” The circles in Bubbles are from the bases of cardboard boxes that were manufactured for cakes.

She takes seriously this care for the material world: in her studio she saves leftovers from her paintings and sculpture to take on new purpose, as the foundation for further pieces.

In Threads of Light (mixed media on wood) the effect is likened to a view of the sky, for when looking here at fibreglass, the light penetrates so that we can see the fibres. “We are immersed.” She includes paper and special fabric for theatre costumes, and natural cords. Such an assemblage can be repainted with grey, with water-based paint. Another work, in circular shape, bears the same title and is responsive too to changes of light.

Giorgia and Carola with the work Blue Bubbles.

Giorgia and Carola with the work Blue Bubbles.

Robber and plastic industrial rejects combined with string are set in a plexiglass receptacle to create a bottom-of-the sea atmosphere. Giorgia has thus again been inspired by underwater light and minute algae; she leaves this box Untitled.

Fountain is based on a parabolic structure like a TV satellite dish. Metallic pigment and fabric string is used to impart the notion of water and spray, as the fountain of life, for “water is one of the basics we need to live.”

Although the dominant colour in this exhibition is white, in her wider practice “I still use colour for some works, but I love to use white because to me it represents what is spiritual in all things, and the invisible in our material world. White makes that mystery stand out.

“We think we know a lot. Science investigated a lot but there is always a part that remains a mystery and no-one will be able to recover.”

This explains why the show is introduced with a quote from Albert Einstein: “The most beautiful experience we can have is the mysterious. It is the fundamental emotion that stands at the cradle of true art and true science.”

Threads of Light. Round. By Giorgia Concato.

Threads of Light. Round. By Giorgia Concato.

Giorgia enjoys visiting London, for she studied fine art at Goldsmiths College and Chelsea School of Arts. She feels most at home, though, in the Costa Smeralda resort of Porto Cervo. This is a place known internationally for its yacht harbour and luxury residences which attract well-heeled tourists, but outside the season its origins re-emerge as a village with just a few hundred inhabitants… and wildlife in the vicinity including foraging boars!

Guests at the London private view included personalities from diplomatic, business and arts circles, especially from the Italian community. Among those appreciating Giorgia’s work was the Royal Academician, Ken Howard. His view of artistic expression chimes with that of Giorgia, for on his website he declares: “For me my main inspiration is light and it is through light that I want to celebrate my world.”

Giorgia and Ken Howard RA discuss her works.

Giorgia and Ken Howard RA discuss her works.

The exhibition Life Threads, paintings by Giorgia Concato, organised by Carola Syz Projects, is at Hotel Baglioni 60 Hyde Park Gate, London SW7, until June 2 2016.

Contracting in the new era

$
0
0
Allen Leatt

Allen Leatt

Contracting in the new era: A seminar hosted by the IMCA Contracts & Insurance Workgroup

FULL PROGRAMME ANNOUNCED FOR KEY IMCA CONTRACTING SEMINAR

The full programme for the International Marine Contractors Association’s (IMCA) 2016 Contracts and Insurance Seminar – ‘Contracting in the new era’ – being held in London on Wednesday 25 May, is online on the IMCA website at www.imca-int.com.  The half-day event at No 4 Hamilton Place focuses on the deterioration in contracting terms in the post-Macondo and post-$100 barrel oil business environment.

“In the early 1990s, in the face of prolonged low oil prices, a new mantra emerged – CRINE, Cost Reduction Initiative New Era, it saw operators and contractors working together to find new contracting models which would allow economically marginal projects to happen” explains Allen Leatt, IMCA’s Chief Executive. “In our current ‘new era’ we see a contracting philosophy by many oil companies that is dividing us, an exact opposite to what happened over 20 years ago. This is happening at the wrong time and in fundamentally the wrong spirit.

“In particular, the potential risks of unlimited liability – for pollution, damage to work and consequential losses – these are company killers and far too crude a way to engage with the supply chain in getting projects off the drawing board. Their impact on the marine contracting world is causing great concern within our global membership and is the focus of the seminar.

“Our seminar later this month provides an opportunity for those involved – contractors, operators, insurers, and lawyers – to come together to state and clarify their positon. The IMCA policy on the situation will be rolled out on 25 May.”

The programme in detail
The seminar, with its start time of 13:30 will be chaired by Nathalie Louys Chair of the IMCA Contracts & Insurance Workgroup, and General Counsel at Subsea 7, and Allen Leatt will deliver an introductory address.

Fabien Lerede, Standard P&I Club will consider ‘The insurance landscape: the extent of the contractor’s marine insurance P&I cover’; Jeremy Jiggins of Marsh will follow with ‘The insurance landscape: the extent of the oil company’s portfolio of cover’.  ‘The legal landscape and the latest thinking in the allocation of indemnities and the liabilities for pollution and consequential losses’ is Clare Kempken of Ince & Co’s topic; and will be followed by David Blackmon of Heerema Marine Contractors looking at ‘Contractors taking responsibility but indemnifying responsibility’.

Following a networking break, Adam Constable of Keating Chambers will be considering ‘How to deal with risk in a changing market’; with Allen Leatt then providing ‘Some real life examples’. A 45-minute panel session: ‘A qualified move – keeping it FAIR’ involving David Brinley of Shell, Adam Constable, Ray Spreadbury of Marsh and David Blackmon follows.

The seminar will then provide an update on the IMCA Contracts & Insurance Workgroup with an introduction by Nathalie Louys followed by Andrew Hayward of Subsea 7 talking on ‘Compliance’ and Alessandro Rigutto of SBM speaking about ‘FPSO contracting principles’; and Simon Ellis of Subsea 7 giving a ‘BIMCO Supplytime Review’. The running order is subject to change.

Following closing remarks by Nathalie Louys a reception will be held in the Argyll Room at No 4 Hamilton Place with its terrace overlooking Hyde Park.

The seminar and reception are open free-of-charge to all IMCA members and interested parties. Places are limited so early booking at events@imca-int.com is recommended.  .

Further information
Further information on IMCA and its work on behalf of its 1000+ member companies in over 60 countries is available fromwww.imca-int.com and imca@imca-int.com. The association has LinkedIn and Facebook groups and its Twitter handle is @IMCAint
About IMCA

  • IMCA is an international association with over a thousand members in more than 60 countries representing offshore, marine and underwater engineering companies. IMCA has four technical divisions, covering marine/specialist vessel operations, offshore diving, hydrographic survey and remote systems and ROVs, plus geographic sections for the Asia-Pacific, Central & North America, Europe & Africa, Middle East & India and South America regions. As well as a core focus on safety, the environment, competence and training, IMCA seeks to promote its members’ common interests, to resolve industry-wide issues and to provide an authoritative voice for its members.
  • IMCA publishes some 200 guidance notes and technical reports – many are available for free downloading by members and non-members alike. These have been developed over the years and are extensively distributed. They are a definition of what IMCA stands for, including widely recognised diving code of practice, DP documentation, marine and ROV good practice guidance, the Common Marine Inspection Document (CMID) – now available electronically as eCMID, safety recommendations, outline training syllabi and the IMCA competence scheme guidance. In addition to the range of printed guidance documents, IMCA also produces safety promotional materials, circulates information notes and distributes safety flashes.

AAA’s annual dinner at the Savoy Hotel

$
0
0
Capt D R Kim, Andrew Paton, Lord Phillips of Worth Matravers

Capt D R Kim, Andrew Paton, Lord Phillips of Worth Matravers

Legal and insurance experts praise Association of Average Adjusters during its 2016 annual dinner for prioritising professional development.

A strong commitment to furthering top-flight expertise among marine insurance claims professionals has maintained the Association of Average Adjusters on course for a bright future, speakers at the 2016 annual dinner of the Association affirmed.
There was a buoyant spirit shared by the 260 people who dined in the magnificent setting of the Lancaster Ballroom of the Savoy Hotel in London. In a series of short speeches, members and guests praised the Association for lending the support of its most seasoned supporters to the in-depth education of the next generations.
Amy Dallaway

Amy Dallaway

Fellows, Associates and other members of the Association were at one with guests including underwriters, insurance brokers, members of the legal profession and representatives of the London and international maritime industry, in recognising that the average adjusting profession remained a vital element in the 21st century market.
After the loyal toast, proposed by the 2015/16 chairman of the Association, Andrew Paton (who had opened the proceedings by saying a grace attributed to Admiral Nelson), the speeches took on their customary mixture of light humour and reference to the role of the various disciplines in the market.
Amy Dallaway, a marine claims adjuster at Antares Underwriting and an Associate member of the Association, proposed a toast to the Bench and the legal profession. Ms Dallaway said that in the past five years, the number of Associates had quadrupled, which had been a huge achievement for the Association.
Matthew Cao

Matthew Cao

“What does the future hold for the Association?” she asked. She was confident there would be further advances, given initiatives such as “the new Senior Associate title which I am sure you will agree will encourage many people in the industry to take their studies further.” The qualification has just been established in response to demand from those who work in offices other than those specifically dedicated to adjusting, for pursuing courses to a point short of becoming fully qualified Fellows.

As an Associate, Ms Dallaway said that she had seen firsthand how much work goes into organising the annual dinner, the membership, the examinations, the training, “and I personally would like to thank the chairman and the management committee for all their hard work.
On behalf of the Bench and legal profession, Darryl Kennard, head of the London shipping team and member of the emergency response team at Thomas Cooper LLP, spoke of the qualities required of maritime professionals. They must work hard, understand the responsibility of the seafarer at the sharp end of the industry, and be resourceful. The insurer must ensure that professional standards were maintained at all times.
Matthew Cao of Richards Hogg Lindley Hong Kong, who is a Fellow of the Association, proposed a toast to the guests and Association subscribers, saying that the 2016 event was “a night to remember.”
Mr Cao realised that in the long history of the Association’s annual dinner, “I am the youngest Chinese to speak.” He said: “The membership has become truly international, with about 500 individual members resident in some 40 countries.
The Lancaster Ballroom at hte Savoy Hotel

The Lancaster Ballroom at hte Savoy Hotel

He expressed firm support for Mr Paton’s determination to strengthen the international and educational dimensions of the Association. The Association had been UK-centric but in recent times that had changed. Many members were not practising average adjusters, said Mr Cao, and that was clearly recognition that the examinations were the best way for others besides adjusters to build their marine expertise.
There was a period when “we lost a generation of practitioners who would otherwise have stayed in our profession. They were forced to find a new career. This is a global phenomenon and it is still affecting us today.”
Now it was pleasing that the number in Associateship had increased to 135 in 20 countries. “The Association has made good efforts in attracting people to this profession,” Mr Cao observed. ” I hope those people continue their studies and I look forward to them joining the ranks of Fellows, not least from Hong Kong, from mainland China and Taiwan. I am sure there will be further qualified Fellows of the Association in China,” he declared.
The future for average adjusting was bright “in that what we do is wanted by the insurance market,” asserted Mr Cao.
Responding, Capt D R Kim, co-managing director of Korhi Average Adjusters & Surveyors, Seoul, brought greetings from industry participants in South Korea, and he proposed a toast to the Association, its Fellows and Associates.
Earlier, at the Association’s annual meeting – its 147th – the chairman Andrew Paton had said that the Association was continuing to perform positively in the interests of both its members and the wider marine insurance market. Mr Paton said that during his visits to several countries he had been met with approving comments about the work of the Association. “The status and profile of the Association is, I believe, at a very encouraging level.”
At the dinner, a highlight of the marine insurance calendar, there was as customary strong contingents from Europe, Asia-Pacific and North America.
Top table guests included Lord Phillips of Worth Matravers , an arbitrator and past president of the Supreme Court of England and Wales; Hal Watson, president of the US Maritime Law Association; Helle Hammer, managing director of the Nordic marine association Cefor; Roger Street and Charles Hebditch, honorary Fellows of the Association of Average Adjusters; Jonathan Spencer, president of the Association Mondial de Dispacheurs; Neil Roberts of Lloyd’s Market Association; Quentin Prebble, chair of the London Joint Cargo Committee; Andrew Taylor of the British Maritime Law Association; Julian Cooke, a leading authority on voyage charters; Andrew Bisbas, chair of the Chamber of International Shipping insurance committee; Keith Martin, vice-chairman of the Association of Average Adjusters; Lord Justice Tomlinson, a member of the Court of Appeal of England and Wales; Brian Sales, chair of the Association of Average Adjusters of the USA and Canada; Dean Allen, chair of the Joint Marine Claims Committee; Jeroen Groninger, president of Verein Deutscher Dispacheure; Vibeke Kofoed of the Nordic Average Adjusters Association; and Stefano Cavallo of the Italian Average Adjusters Association.
The Association of Average Adjusterspromotes professional principles in the adjustment of marine claims, uniformity of adjusting practice, and the maintenance of high standards of professional conduct. Irrespective of the identity of the instructing party, the average adjuster is bound to act in an impartial and independent manner. The Association plays an important part in London insurance market committees, and has strong relationships with international associations and insurance markets.

The Latest Travel Insights From WTM London

$
0
0

wtm 2015 one

How Do We Mainstream Sustainable Tourism?
Last week Jeremy Smith attended Travel + Social Good in New York, USA. Here are his five takeaway points from the event about mainstreaming sustainable tourism.
Read more
Is Google Cracking Down On Travel Bloggers?
Steve Keenan outlines the trending issues around digital and social media tourism from this year’s Social Travel Britainconference.
Read more
Orphanage Tourism Under Fire
Professor Harold Goodwin talks about the realities of orphanage tourism and the link to significant reputational risk when offering volunteering or orphanage visits to tourists.
Read more
Telling The Customer Where To Go
Paul Richer talks about the difficulties of having different map locations across websites, and how technology may be the answer to standardised location mapping.
Read more
Belize Tourism Board: “Sustainability Should Go Hand In Hand With Tourism Strategy”
Belize Tourism Board has today cemented its commitment to responsible tourism with its sponsorship of the World Responsible Tourism Awards at WTM London.
Read more
WTM London To Mark 20 Years Of Responsible Tourism And 10 World Responsible Tourism Days
WTM London 2016 will commemorate two key responsible tourism anniversaries; 20 years of responsible tourism and 10 years of World Responsible Tourism Days.
Read more
Connect with us…

IMO: summary of MSC 96

$
0
0

IMO FlagsMaritime Safety Committee (MSC), 96th session, 11-20 May 2016

Summary now available to download -

http://www.imo.org/en/MediaCentre/MeetingSummaries/MSC/Pages/MSC-96th-session.aspx

  • Survival craft safety: SOLAS amendments adopted - The MSC adopted amendments to SOLASregulations III/3 and III/20 to make mandatory the Requirements for maintenance, thorough examination, operational testing, overhaul and repair of lifeboats and rescue boats, launching appliances and release gear,which were also adopted at the session. 
  • Adoption of other amendments  - Amendments to SOLAS regulation II-2/13 to extend the requirements for evacuation analysis to all passenger ships, not just ro-ro passenger ships;  Amendment 38-16 to the International Maritime Dangerous Goods (IMDG) Code;  Amendments to chapter 8 of the International Code for Fire Safety Systems (FSS Code) regarding prevention of internal corrosion and clogging of sprinklers and a new chapter 17 of the FSS Code
  • Advice regarding the verification of the gross mass of packed containers loaded before 1 July 2016and transhipped on or after 1 July 2016 agreed  (See press briefing 14/2016)
  • Cyber security - interim guidelines approved
  • Guidance for developing national maritime security legislation approved
  • Carriage of industrial personnel - outline for new SOLAS chapter and code endorsed
  • Recognition of Galileo as a component of the Word Wide Radionavigation System (WWRNS).
  • Ships routeing systems adopted
  • Noise reduction – guidance on application of requirements approved
  • Training for polar waters and passenger ship emergency training requirements approved
  •  Review of the 1995 STCW-F Convention agreed
  • Intact Stability Code – Towing, including escort towing, and lifting operations amendments approved
  • Passenger ship regulations amendments approved

IOE celebrates students’ dynamic graduation success

$
0
0
Celebrating dynamic achievements - the Institute of Export’s graduates.

Celebrating dynamic achievements – the Institute of Export’s graduates.

Institute of Export celebrates students’ dynamic graduation success

The achievements of almost 200 students graduating from the Institute of Export have been celebrated at a vibrant awards ceremony held at Mansion House, London. 

High-profile figures from trade and industry sectors and the world of international trade acknowledged the students’ success at the Lord Mayor of London’s residence where attendees included representatives of Amber Road, Kuehne + Nagel, Norsk Global, Invest NI and Belfast Metropolitan College.

Speakers included Alderman, Sherriff Charles Bowman, IOE vice president Lord Empey OBE, Louis Taylor, chief executive of UK Export Finance, IOE chairman Ian Taylor, FIEx, IOE director general Lesley Batchelor OBE, FIEx (Grad) and IOE young president, Arne Meilken MIEx (Grad).

The students that received the highest overall score in each qualification were also awarded prizes for their dedication and commitment to their studies. Special congratulations to Emma Foley from Conex Universal Ltd on her Level 3 Certificate in International Trade; Aileen Lamberton from Scottish Enterprise who graduated with a Level 4 Certificate in International Trade and Michael Alexander from Grant Thornton LLP who achieved a Level 5 Diploma in World Customs Compliance & Regulations.

Also achieving top marks were Vineeta Manchanda from IBMDS for a Level 5 Diploma in International Trade; Nicholas Clark from Royal Bank of Scotland for his Certified International Trade Advisor qualification – and Jane Smith from Jontine Products (Lincoln) Ltd who achieved the highest score in the Foundation Degree (FdA) Professional Practice in International Trade,

Jane said: “I wanted to ensure that I understood the requirements of trade and export from both a legal and good practice perspective. The course was distance learning over two years, allowing me flexibility to study alongside running the business.

“I was able to implement change and improvement from within a supported learning environment.  The course content proved to be entirely pertinent to my business and I cannot hesitate in recommending it.”

Nicholas Clark, regional head of Trade & International, North Region RBS/NatWest commented: “International companies need to be cognisant of a wide range of factors to be successful in trading internationally. It is important in my role to have a good knowledge of these areas to provide customers with appropriate support and solutions; the course syllabus covers the breadth of the disciplines required.

The flexibility of study, allied with my organisation’s commitments to personal development, enabled me to tailor my learning to maximise access to the course content and develop my understanding and knowledge of the diverse topics covered in a way which worked for me.”

UK Export Finance, the UK’s export credit agency, is marking a milestone with nine of its export finance advisors graduating with the Institute’s Diploma in International Trade.

Louis Taylor, chief executive of UK Export Finance, commented: “I would like to offer my congratulations to all the students graduating this year with Institute of Export qualifications, and I am delighted to see so many UK Export Finance colleagues among them. Graduating from an Institute of Export programme is a huge personal achievement. It is also of great benefit to employers, and I am delighted that UK Export Finance is one of the many employers investing in their people by supporting them through these qualifications.”

The continued success of both the practical and academic qualifications offered by the IOE is attributable to its continued commitment to quality, variety, and accessibility. The Institute’s programmes include a foundation degree in Professional Practice in International Trade, developed in collaboration with Anglia Ruskin University; a BSc (Hons) in Management Practice – International Trade, delivered with Plymouth University, and an MSc in International Trade, Strategy and Operations, offered in conjunction with Warwick University.

IOE director general, Lesley Batchelor, said: “It’s tremendous that so many businesses are investing in equipping their employees with the skills to maximise the wealth of opportunities in international trade and we wish our graduates continued success. The breadth of courses we offer reinforces our ongoing commitment to embed professionalism in international trade.”

Supporters of the event included Strong & Herd LLP, CITA World, Felixstowe Trading and Enterprise College, International Market Advisor Ltd, Bibby Financial Services and the Worshipful Company of World Traders.

 About the Institute Of Export

The Institute of Export (IOE) was established in 1935 and is incorporated as a registered charity under the patronage of HRH The Duke of Kent. The Institute’s mission is to enhance the export performance of the United Kingdom by setting and raising professional standards in international trade management and export practice. This is achieved principally by the provision of education and training programmes.

Dedicated to professionalism and recognising the challenging and often complex trading conditions in international markets, the Institute is committed to the belief that real competitive advantage lies in competence and that commercial power, especially negotiating power, is underpinned by a sound basis of knowledge.

The IOE is the only professional body in the UK offering recognised, formal qualifications in International Trade. As an awarding body with the QCF the IOE is registered to make and grant qualifications. This includes modern apprenticeships, foundation degrees and all six levels of the National Vocational Qualifications (NVQs).

Visit http://www.export.org.uk/ for more information on the Institute.

Renowned Hill Dickinson lawyer presents at port conference on management of legal risks

$
0
0
Maria Pittordis

Maria Pittordis

The 8th Annual UK Ports Conference took place at Hill Dickinson LLP’s office at Broadgate Tower, London on 24th - 25th May. This extended two day event discussed, amongst other things, the changing policy and regulations within the sector and the legal issues that ports face in today’s uncertain world.

Maria Pittordis, Head of Marine, Trade and Energy at Hill Dickinson LLP, presented on the topic of ‘Identifying and managing the legal risks for port operations’. This broad narrative incorporated vital issues for the sector including the importance of stringent health and safety procedures, from a criminal and civil perspective, vicarious liability, corporate manslaughter and liabilities arising from acts of terrorism by third parties.

Drawing on a number of cases, Maria outlined the responsibilities that companies have regarding the welfare of their employees and the potentially severe consequences if these regulations are not adhered to. Maria also discussed how best to mitigate these risks through preventative measures.

Indeed, according to Maria a total of 728 cases were prosecuted for health and safety breaches between 2014 and 2015, including cases where multiple offences were brought, while 586 cases were prosecuted by HSE in England and Wales, an increase of 2% from the previous year, of which 544 convictions (93%) were secured.

A total of £19 million worth of fines were metered out by courts in the year in question, Maria told delegates.

Addressing delegates, Maria said there were a number of common themes when it came to preventing accidents. These included employing a policy of continuous risk assessment and promotion of safety; having and implementing safe systems of work and SMS; maintaining and repairing port premises and equipment; training and educating employees and where appropriate contractors; implementing corrective actions recommended following an accident or near miss; carrying out inspections and audits; as well as complying with legal/statutory obligations regarding operations; and complying with relevant codes of practice and industry standards.

Maria  recommended that companies engage emergency planning to include drills and legal issues not just operational aspects of an incident and institute policies, guidelines and training regarding investigations and report writing “to ensure that reports and statements record facts not opinion or assumptions  and understanding that causation and corrective actions cannot be identified immediately.”

It was up to directors and senior managers to be aware of legal issues affected by all relevant parties before an incident, Maria warned.

With more than 30 years’ experience in litigation, Maria Pittordis also heads up the Marine Personal Injury team in London. She is a Health and Safety specialist and offers advice and training to clients on their responsibilities.

About Hill Dickinson

Hill Dickinson is a leading and award-winning international law firm with more than 1,150 people including 190 partners operating across 8 offices in the UK, mainland Europe and Asia, servicing the marine trade and energy markets. With strong roots in the shipping industry, the firm delivers advice and strategic guidance spanning the full legal spectrum, from non-contentious advisory work to all forms of dispute resolution.

The Marine Trade and Energy Division is led by Maria Pittordis.  In addition to the global shipping team the team boasts:

  • a top tier commodities team led by Jeff Isaacs
  • the leading yacht practice led by Tony Allen
  • the leading marine personal injury and regulatory practice led by Maria Pittordis
  • highly praised cargo and logistics team led by Adrian Marsh
  • a leading Marine Insurance team led by Rhys Clift
  • recent appointment of a leading aviation team

The heads of the international offices are:

  • Mike Mallin / Damien Laracy in Hong Kong
  • Tony Goldsmith in Singapore
  • Patrick Hawkins in Greece
  • David Reardon in Monaco

The firm has acted on many high profile casualties including the “COSTA CONCORDIA”.

Hill Dickinson’s marine lawyers, consistently rank in the top tier of industry publications such as Legal 500, Chambers and Superlawyer.

Hill Dickinson’s global shipping team acts for the full range of shipowners, cruise and ferry operators, charterers, shipyards, P&I clubs, and port and terminal operators, to underwriters and traders, salvors, and the cargo, logistics and warehousing industries. From shippers, traders, commodities end-users and trade associations such as GAFTA and the RSA, to specialist yacht finance houses and banks, owners and borrowers.

The Legal 500 says: ‘Hill Dickinson has a ‘strong’ commercial and regulatory practice’ with ‘real depth of expertise and a user-friendly approach really makes it stand out from its competitors’.’

For further information about the firm and its partners please visit www.hilldickinson.com

For the latest legal alerts and for updates on the firm, follow us on twitter:

www.twitter.com/hilldickinson


Scratching the Surface – portraiture by Christos Tsimaris, Lee Ellis and Laurence Perratzi

$
0
0
Christos Tsimaris and curator Tessa Yee

Christos Tsimaris and curator Tessa Yee

Scratching the Surface – portraiture by Christos Tsimaris, Lee Ellis and Laurence Perratzi at Lacey Contemporary Gallery, Holland Park

By James Brewer

What better vantage point than the beach for an artist who is fascinated by the human figure? There they are, half naked and parading by, scores of potential subjects who suspect they are not being watched, or in some cases are more than keen to be watched.

Christos Tsimaris with his work Woman in Deckchair.

Christos Tsimaris with his work Woman in Deckchair.

For the London-based, Greek-born artist Christos Tsimaris his seaside stays are opportune outings to what amount to open-air ateliers. The photos he takes in the resorts of passers-by are the raw material for his paintings which he executes back in his home studio. There, gathering an array of pigments and household odds and ends that he can brush within the frame, he embarks on a considerable reworking of the images he has taken with his camera.

The result is a series of dramatic expressionist canvases, five of which have been on show in a three-artist exhibition – described as a collaboration in portraiture – at the bright and airy Lacey Contemporary Gallery which is located in an elegant neighbourhood near Holland Park in west London.

Christos Tsimaris with ‘Mother and Child.’

Christos Tsimaris with ‘Mother and Child.’

His latest works began to take shape as he observed streams of holidaymakers on beaches in Italy and Spain – he has yet to perform this process in his native Greece despite its magnetic appeal to tourists.

Christos describes his works as autobiographical structures, and whether he paints self-portraits or studies of strangers, they are ever in flux. As he says, he jumps “from representational to almost abstract, and from very disciplined and precise to very gestural, to almost messy.” He makes no attempt to keep the two styles separate, producing a diffuse pictorial focus. He blends colours, textures and shapes in a random but ultimately subtle way.

The 4 Sisters. Bronze resin. By Laurence Perratzi.

The 4 Sisters. Bronze resin. By Laurence Perratzi.

Oils dominate, but he will rub into the surface an assortment of materials which could include coffee grains, cement powder, and tile adhesive.  He then works on the surface with charcoal and other delineation, adding sometime surprising touches. In one of the current works, Woman in Deckchair, he stamps his own footprint or more accurately that of a well known brand of trainers.

Tessa Yee, associate director at Lacey Contemporary, who was curator for the exhibition, said: “I really like the way that Christos uses all the materials around him. You do not find that in your average painting.”

The finished articles – in fact in his own estimation he does not usually complete works, for he feels the need to go back over them – appear to the viewer to be fleetingly elusive, but tactile. “Quite often a painting is finished only because I stop working on it, although there is always a possibility that I will work on it again in the future.”

Another view of The 4 Sisters.

Another view of The 4 Sisters.

The many layers – he will not hesitate to chip some of them away — and “accidents” that spark rebuilding of the compositions take even the artist aback. “The more you look at them, the more you discover,” says the artist. “I see things I had not seen before.”

In his artist’s statement Christos writes: “My main aim is to explore how the painting is created in terms of structure, composition, colour and mark making, rather than focusing solely on what it represents.”

His paintings bear titles that are simply descriptive, such as IbizaMother & ChildWoman in Deckchair and Torvaianica[a beautiful stretch of coastline in the province of Rome], but impel the viewer to contemplate them intently.

'Nine.' Bronze by Laurence Perratzi.

‘Nine.’ Bronze by Laurence Perratzi.

Christos is originally from Evros, in the most eastern part of Greece, close to the border with Turkey.  He grew up in Kozani, a city which is home to the largest electricity power plant in the country.  He moved to Thessaloniki, 120 km distant, to study art, and on a scholarship from the Greek government spent a year at Byam Shaw School of Art in London and a second year at Winchester School of Art.  He has participated in numerous exhibitions since then, including in London, Athens, Thessaloniki and Hamburg.

The Lacey gallery says that the works in its latest three-hander exhibition “attempt to break the mask and reveal the depths of the human condition and the disquieting human figure.”

An established artist, Christos is complemented for this show by the contribution of a painter who is in the “emerging” category. That is Lee Ellis who lives in Bristol. Both have in common that they half-seize abstraction from figuration, Lee in particular disrupting conventional portraiture with distortions of face and limbs. A graphic designer by profession, Lee is making the transition to full-time artist. He says that he “aims to make the invisible visible, looking at the psychological and emotional, and bringing it to the forefront.”

More clearly figurative are the exquisite bronze and bronze resin sculptures in limited editions fashioned by Laurence Perratzi, a French-born artist who graduated from business school in her home country in 1993 and travelled widely, to live in Paris, Hong Kong, San Francisco and now London.

'Where am I?' Oil on canvas. By Lee Ellis.

‘Where am I?’ Oil on canvas. By Lee Ellis.

She says that her work is a reflection on movement, influenced by her experience in athletics “where poise and balance are paramount.” Although the studies have the quality of delicate construction, the poses suggest both strength of character and inward reflection.

Collectively, says the gallery, the works “encourage viewers to observe and discover the subjects through the scratchings of the surfaces. The artists do not merely explore appearances but attempt to delve deeper, exploring and exposing their subjects’ psyche”.

The theme brings together works which “attempt to break the mask and reveal the depths of the human condition and the disquieting human figure.

Lacey Contemporary was launched in autumn 2014 by Andrew Lacey as a platform for UK-based and other contemporary artists.

Scratching the Surface is at Lacey Contemporary, 8 Clarendon Cross, London W11 until June 2 2016.

Ship Salvage Conference 2016, London

$
0
0

IMAREST 29 JUNE 2016

IMarEST Ship Salvage Conference 
29 June 2016, Cavendish Conference Centre, London
We are pleased to announce Simon Rickaby, Past President of IMarEST will be chairing this special one-day conference. The early bird discount has been extended until 3rd June 2016.This conference will deliver:

Session 1: The Amoco Cadiz

  • Recounting the chain of events leading up to its sinking and salvage.
  • Comparing contemporary regulations, safety measures and salvage techniques to those at the time of Cadiz.
  • Review of lessons learned and their impact on subsequent salvage operations.

Keynote Speaker
Peter Meyer, formerly of Bugsier, involved in the salvage of the Amoco Cadiz

Peter Meyer

Session 2: Salvaging ultra large container ships

  • A review of equipment and techniques required to salvage such large vessels
  • Discussion on current regulations and safety procedures; are they fit for purpose?
  • What are the potential implications for vessel owners? Reputational damage? Insurance?

Keynote Speaker
Dirk Jan Osinga, Head of Salvage Consulting, Braemar

Dirk Jan Osinga

* Please note that the conference will now take place at the Cavendish Conference Centre and not the ICO Conference Centre as previously stated. 

Supported by:
All About Shipping ASNE Inter Manager
International Spill Control Organization ISU Safety for sea
WES
To book your place and receive more information respond tomaria@conferences.imarest.orgFor more information visit the event website

Damen announces new range of Naval Multi-Role Auxiliary Vessels

$
0
0

Naval Multi Role Auxiliary Vessels_lowresNew series offers flexibility and reduced total cost of ownership by means of modular mission modules with proven technologies

8 June 2016: During the Oceanographic Survey Vessel Conference in London, Damen Shipyards Group announced the introduction of a new range of Multi-Role Auxiliary Vessels (MRAV). The common theme running through the series is the provision of a basic platform offering reliable and cost-effective multi-role potential and hydrographic survey capabilities to naval clients.

With the addition of supplementary modular mission equipment, this new family of Damen vessels can be mobilised in numerous, mainly littoral, naval tasks such as: explosive ordnance clearance and disposal, diving operations, torpedo recovery and overhaul, ROV and UAV deployment, SAR, coastal infantry and submarine support. The largest version of the range will be able to operate worldwide, on the ocean as well as in littoral waters. This ship has additional capabilities such as disaster and humanitarian relief, oceanography and naval training support.

The introduction of flexible concepts which allow as many functions as possible to be included into a range of smaller vessels without reducing the effectiveness and capacity of the fleet while maintaining the benefits of modularity; this is Damen’s ambition with this new family of vessels. “To this end, plug-and-play containerised kit for many support tasks contribute considerable adaptability to a particular mission,” explains Damen Shipyards Gorinchem’s Principal Naval Advisor Jan van der Burg, a retired Vice Admiral of the Royal Netherlands Navy.

Damen MRAV Series

Damen MRAV Series

One platform – multiple tasks

“The idea behind these vessels is to create a basic platform that can assist in a variety of tasks through the selection of the required mission configuration, e.g. coastal transport, submarine support or coastal infantry operations. The stimulus to switch from the traditional one-to-one replacement is to lower the total cost of ownership without losing capability and capacity.”

The new range of vessels consists of three different designs: the MRAV 660, MRAV 1600 and MRAV 3600. Designed for different geographic profiles, these vessels are respectively 43, 62 and 85 metres long. Hydrographic capabilities, to map the seabed for safe navigation and as a preparatory action for military operations in particular, are indispensable to navies worldwide. Depending on a naval client’s specific requirements, any type of hydrographic equipment can be integrated into these three vessels.

Minimal draught

With a draught of 1.9 metres, the MRAV 660 is suited for very shallow coastal, riverine and inland water operations. In addition to shallow water hydrographic surveys, this vessel is capable of a comprehensive array of duties such as diving operations, EOCD support, ROV and UAV deployment, with a core crew of 8 and capacity for an additional 15 specialists.

“Damen has built up a lot of knowledge on shallow draught ship design – this is the reason we strived towards a shallow draught hull for the MRAV 660 with full confidence. The expertise of our Research Department, combined with input from our Workboats Product Group contributed to a design based upon tested design solutions,” notes Damen Design and Proposal Engineer Tim Viveen.

“The key points are to maximise displacement, minimise resistance and optimise seakeeping characteristics for the area in which the ship will operate. The MRAV 660 has design characteristics that help achieve this: an aluminium superstructure and reduced freeboard section cut down on weight. And tunnel ducts on the underside of the hull ensure enough water reaches the propellers.”

Additional roles

The MRAV 1600 is designed for littoral and regional offshore operations. Its larger size allows for greater endurance and carrying capacity of both crew, mission modules and cargo. The vessel will be manned by a core crew of 13, with capacity for an additional 30 mission specialists. The main deck can hold six standard 20-foot mission containers and the below-deck cargo hold can store two 20-foot containers and palletised cargo.

This medium-sized vessel can take on similar hydrographic and auxiliary duties to its smaller sister vessel, with the addition of torpedo recovery and overhaul tasks in support of submarines and anti-submarine warfare units. Small scale coastal transport and infantry support is also possible.

Global coverage

Intended for worldwide service, the capacity of the largest vessel in the range – the MRAV 3600 –  allows for more than one specific mission during a deployment. Capable of hydrographic operations both in littoral and deeper waters, this vessel also has a helideck and substantial storage capacity for other mission configurations, equipment and cargo. Furthermore, the MRAV 3600 can serve as a base for more extensive operations such as disaster and humanitarian relief. There is accommodation for 14 core and 45 additional mission crew and enough space on board to provide emergency hospital services for 50 to 60 people.

Advantages of modularity

One of Damen’s key aims with this new range of vessels is to reduce the pressure on a navy’s human and financial resources. The modularity of the mission modules also plays a major part in reducing this pressure: “We achieved this by combining the capabilities of specialised ships into one ship by using these add-on equipment modules – these can be fitted inside standard 10-, 20- or 40-foot containers or have the footprint of a standard container,” states Damen Design and Proposal Manager Piet van Rooij. “When operating multiple ships of the same family and design, the efficiency of training, crew exchangeability and maintenance programmes are improved.”

Cost results

A modular platform is inherently flexible: this allows naval clients to better react to changes in the mission environment. Modularity also has implications on the total cost of ownership: the lifetime of an individual vessel can be efficiently extended by upgrading capabilities with new equipment modules that are not integrated into the original design.

Financial advantages are to be found in the fact that the MRAV range is commercially built and also uses commercially available components. This is made possible because of the vessels’ non-combatant role. Mr Van Rooij: “Using commercial off-the-shelf equipment reduces the total cost of ownership without reducing the quality of the equipment.”

Complementary design

The ship design itself has a proven background: “Damen has built many ships similar to the MRAV range for the offshore industry. This means that there will not be any unwanted surprises for the first customer of this new range.”

Damen has a rich naval shipbuilding heritage; one that goes back more than a century. The new Multi Role Auxiliary Vessel range serves to expand the company’s naval portfolio that includes larger vessels such as frigates, corvettes, LPDs, AORs and OPVs. “These new MRAV designs are complementary to the range of ships that Damen already offers for the defence and security markets,” concludes Mr Van Rooij. “We are currently at the stage of finalised conceptual design. Considering the next step, being more detailed engineering while taking advantage of COTS equipment and tested designs, we are confident that the actual construction can be swiftly accomplished, with excellent quality and reliability.”

Damen Shipyards Group

Damen Shipyards Group operates 32 shipbuilding and repair yards, employing 9,000 people worldwide. Damen has delivered more than 6,000 vessels in more than 100 countries and delivers some 180 vessels annually to customers worldwide. Based on its unique, standardised ship-design concept Damen is able to guarantee consistent quality.

Damen’s focus on standardisation, modular construction and keeping vessels in stock leads to short delivery times, low ‘total cost of ownership’, high resale values and reliable performance. Furthermore, Damen vessels are based on thorough R&D and proven technology.

Damen offers a wide range of products, including tugs, workboats, naval and patrol vessels, high speed craft, cargo vessels, dredgers, vessels for the offshore industry, ferries, pontoons and superyachts.

For nearly all vessel types Damen offers a broad range of services, including maintenance, spare parts delivery, training and the transfer of (shipbuilding) know-how. Damen also offers a variety of marine components, such as nozzles, rudders, anchors, anchor chains and steel works.

In addition to ship design and shipbuilding, Damen Shiprepair & Conversion has a worldwide network of 15 repair and conversion yards with dry docks ranging up to 420 x 80 metres. Conversion projects range from adapting vessels to today’s requirements and regulations to the complete conversion of large offshore structures. DSC completes around 1,500 repair and maintenance jobs annually.

Imagination runs riot at Royal Academy Summer Exhibition 2016

$
0
0
Walls full of colour.

Walls full of colour.

Imagination runs riot at Royal Academy Summer Exhibition 2016

By James Brewer

It is a tall order – a neck-craning one at times – to take in 1,240 new works of art in one go, but this is the Royal Academy summer show. There is little point the visitor picking out a favourite one or two works – just enjoy the jam-packed experience as a whole.

Invention, imagination and immodesty, and what some might term insanity, is running riot in the UK (mainly London here) arts scene, it is plain.  What passes muster for a theme is that some of the largest-scale offerings for 2016 are from well known artistic duos.

Action Painting. Painted fibreglass, stainless steel and paint pot. By Allen Jones.

Action Painting. Painted fibreglass, stainless steel and paint pot. By Allen Jones.

Co-ordinator for the Academy’s 248th summer exhibition, which runs until August 21, is Richard Wilson, a British sculptor and Royal Academician.

It would be impossible to “co-ordinate” such a volume and range of work – in general, it amounts to the usual colourful swirl, and after all this is the final choice from 12,000 submissions. Richard Wilson boldly declares the 2016 exhibition as “unpredictable, stimulating and startling.” He himself is best known for his installation 20:50, a steel tank filled with 8,000 litres of used sump oil amounting to an installation that is permanently in the Saatchi Collection, and was hailed by a critic in the Daily Telegraph, UK, as “a contender for the most important work of British art of recent decades.”

To return to Burlington House, headquarters of the Royal Academy which sets aside most of its galleries for “the world’s largest open submission show.” It is the place to get to grips with the multi-faceted face of contemporary art in its many aspects, from established artists to others often no less talented, but less feted so far.

Forever (Yellow). Enamelled aluminium, neon and LED lamps. By Tim Noble and Sue Webster. Marine Antoinette, the Queen’s Hamlet (Model, Zahia Dehar. Hand-painted photograph on canvas. By Pierre et Gilles.

Forever (Yellow). Enamelled aluminium, neon and LED lamps. By Tim Noble and Sue Webster. Marine Antoinette, the Queen’s Hamlet (Model, Zahia Dehar. Hand-painted photograph on canvas. By Pierre et Gilles.

One can recommend the visitor to set out with a determination not to be overwhelmed. As usual, the pivotal Wohl Central Hall gets a tour off to a dramatic start. The 10 works there include one of Allen Jones’s interpretations of sexual imagery, an assertive fibreglass female nude with a kicked-over paint pot, the construction entitled Action Painting. On the wall opposite is the blazingForever (Yellow), a light-sculpture by the in-your-face duo Tim Noble and Sue Webster. This is above Marie Antoinette, the Queen’s Hamlet (Model, Zahia Dehar) which is a hand-painted photograph on canvas from the French duo Pierre et Gilles.

Still in the central hall, Peter Fischli & David Weiss show their six-minute video Büsi (Kitty) from 2001, in which a cat laps milk. The film received much attention when displayed on electronic billboards in New York’s Times Square.

Perfect Day. Oil. By Eileen Cooper.

Perfect Day. Oil. By Eileen Cooper.

Keeping up the push to be startling in the central hall is the duo Jennifer Allora & Guillermo Calzadilla, based in Puerto Rico, with 2 Hose Petrified Petrol Pump (2012), a stone carving of a fuel pump.

Gallery III is one mass rush of colour expressed through dozens of disparate works. It is a relief to view relatively pensive presentations such as those from Royal Academy stalwart Eileen Cooper. Such are her Perfect Day, a tranquil quasi-idyll, another oil Ballerina, bronze Serenade, charcoal Heart, and her woodcuts Solo in Blue and Luna.

Two from Marguerite Horner, whose oeuvre has a deceptive photographic and almost leached appearance, are  On the Brink, and The Shifting Shadows, a suburban landscape.  Both are done in oil on linen.

Sky Goddess. By Akiko Ban.

Sky Goddess. By Akiko Ban.

London-based Marguerite has been praised throughout a career which has included working as a scenic artist for the BBC, collaborating with leading photographers, and helping on advertising campaigns, and this is her seventh outing for a Royal Academy Summer Exhibition. She was chosen for the 54th Venice Biennale and in 2012 had her first London solo exhibition, in the catalogue for which critic Lady Marina Vaizey wrote that her paintings “lift the ordinary into the extraordinary and the specific into the universal.”

The Shifting Shadows. Oil on linen. By Marguerite Horner.

The Shifting Shadows. Oil on linen. By Marguerite Horner.

In Gallery VI, Akiko Ban, a Tokyo-born artist living in London, presents a triptych on paper Sky Goddess. She conjures a strikingly colourful scene in Japanese water colour, PVA glue, glitter, wiggly eyes and rhinestones. The three scenes are, one supposes, a fantastical reflection of heaven, earth crawling with creation, and of creatures of the deep. “I create my own ritual objects and environments which uplift my soul,” says Akiko.

Works by the 15 two-people partnerships featured here includes a large-scale suspended kite sculpture (Will You Please Be Quiet, Please) by the prolific Heather and Ivan Morison, and grim sculpture The New Arrival, a family of eyeless mannequins tending a machine in which grotesque activity is going on, by brothers Jake and Dinos Chapman.

On the Brink. Oil on linen. By Marguerite Horner.

On the Brink. Oil on linen. By Marguerite Horner.

On either side of the entrance staircase, twin sisters Jane and Louise Wilson display a double-height, photographic series made in Ukraine in 2010 entitled  Atomgrad (Nature Abhors a Vacuum)  based on the aftermath of the 1986 nuclear disaster at Chernobyl. The photographs document the city of Pripyat, which is inside the 30km exclusion zone and which with its civic and public buildings, the People’s Palace, hotel, kindergarten, swimming pool, cinema, was abandoned in haste. The work explores the ideas around “dark tourism” given that there are now one-day bus tours from Kiev to the exclusion zone and Pripyat.

A survey entitled London’s Burning: Read All About It is contributed by the Singh Twins, Amrit and Rabindra, UK-born Indians who are keen examiners of history. It explores events from the Gunpowder Plot, the Great Fire of London, the Gordon Riots and the Blitz to the riots of 2011. The sisters used archival ink print, watercolour and gold.

The Portrait of Sakıp Sabancı. Multi-image installation. By Kutluğ Ataman.

The Portrait of Sakıp Sabancı. Multi-image installation. By Kutluğ Ataman.

Ilya and Emilia Kabakov, authors of huge installations, show an oil painting of autumn leaves and trees, Emergency Exit #4. This was part of an installation for the 1993 Lyon Biennale based on the idea of an artist’s studio, full of unfinished work.  Born in Dnepropetrovsk, the Kabakovs are husband and wife and live in Long Island, US. Ilya came to the West in 1985, and Emilia who originally planned to become a professional pianist, emigrated to Israel, then New York.

An entire room is given to photographs by Bernd & Hilla Becher of German industrial architecture – strangely-affecting water towers, gas tanks and cooling towers. They did much-appreciated work in recording the often elegant design of the vanishing structures of their country’s energy powerhouse in the 20th century. Bernd died in 2007 and his wife in October 2015.

The architecture section includes a poignant reminder of Dame Zaha Hadid, the great architect who passed away at the age of 65 in March 2016. On display is her aerial design view in acrylic on black cartridge of the proposed Cardiff Bay Opera House, a mid-1990s project that was doomed when the Government bowed to pressure from local opponents and refused funding. Her design was later adapted for the acclaimed Guangzhou Opera House in China.

Water towers.  Silver gelatin print. By Bernd and Hilla Becher.

Water towers. Silver gelatin print. By Bernd and Hilla Becher.

As ever the art comes in all shapes, forms and sizes – even that of a shipping container, by Jimmy Cauty  (the self-described “co-creator of chart-topping band The KLF and its subsequent, million pound-burning arts incarnation The K Foundation”) housing “a monumental post-riot landscape in miniature.” The exhibit is for sale at £46,000.

Still on large-scale projects, one gallery is dominated by a multi-image installation from Istanbul-born Kutluğ Ataman, an outspoken filmmaker and artist whose current works focus on “history and geography as man-made constructs.” He has been described as Turkey’s most controversial contemporary artist.

Cinque Terre with Runner Beans. Vinyl matt emulsion. By Gary Lawrence.

Cinque Terre with Runner Beans. Vinyl matt emulsion. By Gary Lawrence.

Kutluğ Ataman gives us a huge example of video art, The Portrait of Sakıp Sabancı which has some 10,000 LCD panels and took three years to complete.  It was commissioned by the family of Sakıp Sabancı in 2011 to mark the 10th anniversary of the death of the Turkish businessman and philanthropist, and was shown at the Venice Biennale in 2015. Each panel contains a portrait of one of the many people known to Mr Sabancı who is recognised for his contribution to the development of technology and through a foundation his sponsorship of health, education and culture projects in Turkey. The portraits are of those who were supported by him, who worked with him, and family members.  The conglomerate Sabancı Holding controls more than 60 companies in industries including textiles, tourism, automotives, chemicals, tobacco, cement, insurance and banking and is involved in many international joint ventures.

The majority of the Summer Exhibition works are for sale, proceeds from which will support the free postgraduate tuition available in the RA Schools. For the season, the Royal Academy will be open until 10pm on Fridays and Saturdays.

Royal Academy Summer Exhibition 2016 runs until August 21, at the RA, Burlington House, Piccadilly, London W1.www.royalcademy.org.uk

Lord Mayor launches Marine Engineering Pathway project for young people

$
0
0
The Lord Mayor was joined by Sea Cadets at the launch of the ‘Marine Engineering Pathway’ project at Seafarers UK’s Annual Meeting in Mansion House on 15 June.

The Lord Mayor was joined by Sea Cadets at the launch of the ‘Marine Engineering Pathway’ project at Seafarers UK’s Annual Meeting in Mansion House on 15 June.

The Lord Mayor of the City of London, Lord Mountevans, lent his weight to the launch of a new three-year project designed to inspire and engage young people across the UK in thinking about a future in marine engineering. It is being led by maritime charity Seafarers UK, in conjunction with its delivery partner Sea Cadets.

The launch of the project was announced to more than 150 of Seafarers UK’s supporters and beneficiaries at the charity’s Annual Meeting at Mansion House on Wednesday 15 June. Speaking at the event, Lord Mountevans said: ‘This eye-catching initiative will help more young people learn about the wide mix of career opportunities that exist in the UK’s world leading maritime sector, and in marine engineering in particular. The maritime sector is a huge economic contributor, employing over 140,000 people, and a real area of competitive advantage for the UK. My hope is that as these mobile units travel around the UK, more young people, schools, teachers, parents and careers advisers will be inspired by the idea of pursuing a hugely rewarding career in marine engineering.’

The Marine Engineering Pathway project sees the roll out of seven custom-built mobile learning units (Pods), based regionally across the UK, over the next three years. The first two will be in place in 2016, one in London and the other in the South West, with the others coming on stream in 2017 and 2018 according to the speed and success of Seafarers UK’s fundraising.

Each Pod holds a sectioned engine, a working engine and an array of other marine engineering equipment that young people will be able to get their hands on and begin to learn about from trained Sea Cadets volunteer instructors. They will be used by Sea Cadet units, in schools and at local events and will form the basis of taster sessions and workshops in marine engineering, with special focus on pupils in Year 9, when choosing options can become critical to future career plans.

Barry Bryant, Director General of Seafarers UK, said: ‘Seafarers UK has been supporting maritime youth work and those organisations focused on preparing young people for a potential career at sea for almost 100 years. This joint initiative with Sea Cadets is a great way of reaching out to young people and helping them to think more creatively about their career aspirations and the opportunities that exist in maritime and marine engineering.’

Martin Coles, Chief Executive of Marine Society and Sea Cadets, said: ‘This is a pioneering project for the charity. Our core aim is to build confidence so that young people can find their course in life. This combined with our experience of working with young people has helped us shape a project with Seafarers UK we believe can inspire more young people to take a step towards a better future, for them and their families.’

The Pods are specially designed to provoke interest from both girls and boys. Research from Tomorrow’s Engineers Week (Nov 2015) revealed 28% of girls aged 11-16 said that online images of engineering are too male-orientated. The eye-catching design hosts semi-hidden icons that hint at a relationship with engineering, ranging from soda cans to lipstick, recycling to play stations. The consequence the UK faces as the shortage of people with engineering skills grows is well reported, triggering concern across the sector for the long term future of the industry in the UK*.

The project will be run initially over a three year period (2016-18), before hopefully becoming a longer-term initiative for Sea Cadets. It is one of three legacy projects that Seafarers UK is fundraising for as part of its Centenary Year in 2017, the theme of which is ‘Supporting Seafarers: Past, Present and Future’.

At its Annual Meeting, Seafarers UK also launched its 2015 Impact Report, highlighting that last year the charity awarded £3.6m in funding, ultimately helping over 170,000 people. It achieved this by providing 87 grants in support of 83 projects and 67 charities and organisations in the UK and overseas, which in turn provided welfare and education services to those serving and ex-seafarers most in need, and their dependants.

New GSCC Council 2016-2018‏

$
0
0
Haralambos J. Fafalios was re-elected as chairman of GSCC

Haralambos J. Fafalios was re-elected as chairman of GSCC

Following the Elections of the 16th June 2016, the New Council of the Greek Shipping Co-operation Committee for the period June 2016-June 2018, is as follows:

FAFALIOS ΗARALAMBOS J. Chairman
CAROUSSIS CON/NOS IS. A’ Vice-Chairman
LYRAS JOHN M. B’ Vice-Chairman
POLEMIS SPYROS M. C’ Vice-Chairman

Members of the Council in alphabetical order
ANGELICOUSSIS JOHN A.
DRAGAZIS DIMITRIS C.
EMBIRICOS GEORGE E.
HADJIPATERAS JOHN M.
KANELLAKIS ANTONIOS C.
KEDROS ALEXANDROS K.
KULUKUNDIS STATHES J.
LEMOS DIAMANTIS J.
LEMOS FILIPPOS P.N.
LOS MATHEOS T.
MITROPOULOS EFTHIMIOS E
MOUSKAS GEORGE K.
PALIOS ANTHONY P.
PATERAS MICHALIS G.
SARAKAKIS DIMITRI FRANK
TSAVLIRIS ANDREAS A.

GSCC EMBLEM

Christie’s 250th anniversary

$
0
0
Constable sketch (detail) for View on the Stour.

Constable sketch (detail) for View on the Stour.

Christie’s 250th anniversary – a summer of sensational sales and shows

By James Brewer

An epoch-making waterway painting from the early 19th century that inspired generations of artists will be the sales highlight of a celebration of the quarter-millennial anniversary of the London commercial art market.

Grand auction house Christie’s has chosen the last full-scale John Constable sketch in private hands as a signature work for its 250th anniversary sale Defining British Art.

The study was executed in about 1821 or 1822 for the finished canvas View on the River Stour near Dedham which was the fourth of six settings of the Suffolk working river which were exhibited at the Royal Academy between 1819 and 1825.

View on the Stour near Dedham. Full-scale sketch, oil on canvas. By John Constable.

View on the Stour near Dedham. Full-scale sketch, oil on canvas. By John Constable.

‘Sketch’ it may be, but it sits comfortably among a wealth – in both senses – of art vaunted throughout the auction house’s huge King Street headquarters in St James’s, London.

It could go for between £12m and £16m in a glittering sale on June 30 2016 of British art from the past three centuries.  Institutional buyers may pitch in with even higher bids.

Meanwhile in a new gallery at the same premises, Christie’s is putting on until July 15 a loan exhibition of British masterpieces that have passed through its salerooms over its many years. These will start with Portrait of King Henry VII from the circle of Hans Holbein II and range through Stubbs, Landseer, Turner, Burne-Jones, Rossetti, Lowry, Freud and Auerbach.

The Constable sketch is among masterpieces highlighted as of special interest by the firm’s super-auctioneer Jussi Pylkkänen – a man who has brought down the hammer on $3bn worth of lots in recent sales.

L’Ancienne rue de la Chaussée. Oil on canvas. By Claude Monet.

L’Ancienne rue de la Chaussée. Oil on canvas. By Claude Monet.

Constable (1776 – 1837) is categorised as a landscape painter, but he displayed in his output the intimate knowledge of river trading gained from his early years working in the flourishing family business trading and transporting corn and coal on the Stour.

He called his large-scale works six-footers, seeking to elevate depiction of the natural scenery he loved to a more ambitious scale – and to capture the attention of the high-ups of the Royal Academy. In the painting in question, the scene is upstream from Flatford Mill and Lock, and the details were followed closely in the final painting, unlike in three previous full-scale sketches.
Christie’s sold the sketch in 1883 for 1,190 guineas, and it was acquired privately in 1995.

Mme Hanka Zborowska. Oil on canvas. By Modigliani.

Mme Hanka Zborowska. Oil on canvas. By Modigliani.

Mr Pylkkänen, global president of Christie’s, characterised the invitation for offers for View on the Stour sketch as one of the business’s most important moments since the firm sold Constable’s The Lock at £22.4m in 2012, which made that one of the most expensive British paintings in history.

Christie’s says that the work to be sold on June 30 illustrates why Constable is considered the father of British modernism and acclaimed as an instinctive painter of nature and the elements. He revolutionised painting to a degree that gave rise to the French impressionists. His treatment of oil looks surprisingly contemporary: he made everything that had gone before look old-fashioned.

His legacy is abstract expressionism, turning illustration of landscape into a vehicle for the expression of human emotions.

Launching the summer events, Mr Pylkkänen recounted the origin of Christie’s, which is still a private company. Its founder, James Christie, who was born 1730 in Perth, Scotland, had spent a few years in the navy, and coming ashore was at a loss as to what to do next. He went to Covent Garden to work as an assistant to an auctioneer and in 1766 established his firm in Pall Mall, ante-dating such important institutions as the Royal Academy (which held its early exhibitions at Christie’s building) and Dulwich Picture Gallery.

Reclining Figure, Festival. Bronze with a brown patina. By Henry Moore.

Reclining Figure, Festival. Bronze with a brown patina. By Henry Moore.

(The first sale catalogue  printed by James Christie advertised “the genuine Household Furniture, Jewels, Plate, Fire-Arms, China &c And a large Quantity of Maderia [sic] and high Flavour’d Claret, Late the Property of A Noble Personage (deceas’d)… Which will be Sold by Auction By Mr Christie…)

Christie was selling very much to an English-based market and Reynolds and Gainsborough were among regular visitors to his saleroom. The British Empire was flourishing and the travels of aristocrats to France and Italy stimulated greater interest in art and antiquities. Further impetus came when the French nobility had to sell or surrender their collections under the pressure of revolution.

The firm moved from Pall Mall to King Street in 1823; the building had to be restored after bombing in 1941.

Pavonia. Oil on canvas. By Frederic Lord Leighton. c 1859.

Pavonia. Oil on canvas. By Frederic Lord Leighton. c 1859.

Mr Pylkkänen emphasised that Christie’s has always championed British art and artists, and “if James Christie were alive today, he would represent the greatest artists who produce works of art in Britain.” In the temporary exhibition, “Why are we focusing on British art? Because we wanted to second-guess what James Christie would have selected.”

Christie’s now describes itself as “the world’s leading art business.” It says that its global auction, private and digital sales in 2015 totalled £4.8 billion ($7.4bn). The firm runs some 350 auctions annually in more than 80 categories, and has 54 offices in 32 countries and 12 salerooms including in London, New York, Paris, Geneva, Milan, Amsterdam, Dubai, Zürich, Hong Kong, Shanghai and Mumbai. It has expanded in what are seen as growth markets such as Russia, China, India and the United Arab Emirates.

“The art world is a global business,” said Mr Pylkkänen. “In 2016 Christie’s is celebrating its10th year in Dubai and 30th in Hong Kong.”

The Constable will be offered for sale alongside masterpieces by Reynolds, Leighton, Lowry, Spencer, Bacon, Freud and others

Golden Hours, 1864, by Frederic, Lord Leighton (1830–1896) will be at auction for the first time in 100 years. A pivotal masterpiece of British aestheticism, it celebrates youth, beauty, and love, and the estimate is between £3m and £5m.  In another gorgeous example,Pavonia, Leighton concentrates fully on the exotic beauty of his Mediterranean model Nanna Risi. The estimate here is between £1.5m and £2.55m.

Jussi Pylkkänen.

Jussi Pylkkänen.

An exquisite 1778 picture by Sir Joshua Reynolds, Portrait of Lucy Long, Mrs George Hastings, will be on the market for the first time, with an estimate of £2m to £3m.

The sculpture section of the sale will be led by Henry Moore’s 1951 Reclining Figure: Festival, commissioned by the Arts Council for the Festival of Britain in 1951, and the expansive structure is estimated to fetch between £15m and £20m. It was a focal point on the newly-built South Bank, symbolising the resilience of the British people after World War II. It was Moore’s first large reclining figure cast in bronze and, says Christie’s, “in many ways represents the pinnacle of Moore’s repeated exploration, since the late 1920s, of the reclining human form and his pioneering attempt to integrate this form with a sense of both landscape and space.”

King Street headquarters of Christie’s.

King Street headquarters of Christie’s.

Alongside this will be large-scale sculptures by Dame Barbara Hepworth, Sea Form (Atlantic), 1964 (estimate: £3m to £5m) and Lynn Chadwick, Back to Venice, 1988.

One of the most striking works in an Impressionist and Modern Art Evening Sale on June 22 will be the portrait Madame Hanka Zborowska by Amedeo Modigliani (1884-1920). He painted several portraits of Mme Zborowska, the wife of his dealer and supporter Leopold Zborowski, and this is an example of his mature style. The estimate is between £5m and £7m.

Modigliani is as popular as ever: in November 2015, at a sale conducted by Mr Pylkkänen in New York a Shanghai museum paid $170.4m with buyer’s premium for the Italian painter’s Nu Couché which was the second-highest price for a work sold at auction and far exceeded the estimate of $100m.

There will be great interest in Claude Monet’s L’ancienne Rue De La Chaussée. This plein air work with a rustic feel was painted ahead of the first Impressionist exhibition in 1874.The estimate is between £4.5m and £6.5m.

On loan. A Sofa in the form of Mae West's Lips. By Salvador Dali and EdwardJames.

On loan. A Sofa in the form of Mae West’s Lips. By Salvador Dali and Edward
James.

On July 7, in an Old Master and British Paintings sale, a work by Sir Peter Paul Rubens which has not been seen for 150 to 180 years, Lot and his Daughters, will attract much attention. The oil on canvas completed in 1613 or 1614 passed through the possession of Antwerp merchants and royal hands including the Holy Roman Emperor Joseph I, and was at Blenheim Palace for 120 years until 1866.

The Rubens sale will be a focal point of what Christie’s London calls Classic Week from July 5 to 13 – with an eclectic range of subjects from antiquities to 19th century European art. The works will be on view and open to the public from July 3 at the company’s King Street and South Kensington offices.

Scene on the River Meuse at Dinant. Oil on canvas, 1946-7. By Sir Winston Churchill.

Scene on the River Meuse at Dinant. Oil on canvas, 1946-7. By Sir Winston Churchill.

How fares the art market against the wider financial background of tumbling equity values and weaker commodity prices? Mr Pylkkänen said: “Great works of art retain their qualities both in terms of the works themselves and their implicit value.  A Monet will always be a Monet and a Picasso will be a Picasso.” He contrasted the “lasting value” of art works with investment in unstable financial markets and putting money into commodities.


The Latest Travel Insights from WTM London

$
0
0

wtm2016 a 2

The Endless Quest for Authentic Tourism is Sowing the Seeds of its Own Destruction
Jeremy Smith explains how the demand for authentic tourism is unravelling the experience itself.
Read more
Chat Apps: Real-Time Travel Information on the Move
Steve Keenan highlights how companies are using real-time technology to deliver outstanding customer service.
Read more
What Can You Expect From the Women in Travel Meetup at WTM London 2016?
Alessandra Alonso details WTM’s brand new group mentoring sessions, and what awaits at this year’s meetup.
Read more
Tough Mudder Summer Challenge
Photos from the latest challenge for a good cause with Just a Drop, and how you can join in!
Read more
TUI Boss to Address UNWTO & WTM Ministers’ Summit on Safe and Seamless Travel
The new boss at travel giant TUI Group will make the opening address at the UNWTO & WTM Ministers’ Summit at World Travel Market London 2016.
Read more
Futurist Brian Solis to Speak At WTM London
World Travel Market London 2016 is delighted to announce award-winning author, digital analyst and futurist Brian Solis as a keynote speaker.
Read more
Connect with us…

HESGB Summer BBQ 2016 – the best ever…

$
0
0
third from the left

third from the left, the newly  re-lected president Dimitris Monioudis and his wife Camila with members and friends of HESGB

Thanks to a glorious English weather prevailing since day-break, as well as to the Hellenic Engineers Society of Great Britain (HESGB) events committee’s organising skills – with finishing touches by Alex Xenakis , George Foustanos and Costas Amarantides, that this year’s Summer BBQ at the Trailfinders Sport Club in West Ealing’s Castle Bar surpassed by far any previous event of its kind; John Faraclas reports and his camera…shots…:

It is this unique Hellenic mind and hospitality coupled with excellent Greek food which makes non-business events great and those participating happy and content! To do this, you need to be gifted by all the Hellenic Xenius Zeus’ Charismas!

A view from the inside at the Trailfinders' Sports Club Hall

A view from the inside at the Trailfinders’ Sports Club Hall

The main recreation hall and the outside open events garden- sector of this old Sports Club was full when arrived at 13:30 – half an hour or so late due to the chock-a-block traffic, with members of HESGB their friends and families. It wasn’t just the usual international summer BBQ / get together of HESGB, which every year is getting bigger and better or the live traditional Greek music by members of the Amadeus band, or the excellent traditional Greek cuisine, it was the participation of a great number from the members of the Hellenic Bankers Association in London, many lawyers and academics – over twenty of them creating a great atmosphere! Networking not just at its best, producing best!

Enjoying the BBQ under the sun!

Enjoying the BBQ under the sun!

The newly elected governing body of HESGB is headed once again by Dimitris Monioudis. A full run-down of the HESGB New Governing Committee for the 2016-2018 period, is attached at the end of this story.
As said a good get-together with a lot of networking going on with class society representatives present, marine engineers, naval architects, spare parts agents, shipyards representative, claims specialists, you name it where there.
The Greek Shipping Attaché Captain (HCG) Demosthenes Botsis and his wife Vassiliki were there, as did the Assistant Shipping Attache Lt.Commander (HCG) Antonios Doumanis, honouring the event. Dr. Geoergina Tsaga, lecturer in Law at the University of Bristol did the two plus hours trip to attend this great lively event.

Smilling faces at the bar; this is what I call a successful event!

Smilling faces at the bar; this is what I call a successful event!

As always it is good to see friends from the past. This time, I was more than pleased to see, after a break of 25 or so years Ioanna Sgoudouropoulou-Karra, wife of Soteris Milisis from Elka Shipping; we had a great time at their table together with Dimitris Chalas and his wife Nassia. Tenia Koroneou, the Deputy Treasurer Kostas Amarantides’ wife was on a great mood entertaining guests, shifting…between two tables! Guests could move from table to table to meet all their friends from the past – and make new too, creating a very warm atmosphere! Over One Hundred attended!

There was a giant TV screen for the F1 (Formula One) the Grand Prix in Spielberg Austria, as the soccer faithful where going to watch the France vs. Iceland …at home…

Sotiris Milisis, his wife ioanna  with the Greek Shipping Attache Captain (HCG) Demosthenes Botsis and his daughter

Sotiris Milisis, his wife Ioanna with the Greek Shipping Attache Captain (HCG) Demosthenes Botsis and his daughter Zetta

Takis Pappas brought his entire family as did many others – Alex Xenakis to begin with and many many others! Takis was also participating at the Trailfinders events during his youth and we eyed some excellent sporty pictures; excellent! On top of everything else, many families’ members come from all over Planet Ocean – from Cyprus, Japan, the US, Scandinavia and of course Greece and all parts of the United Kingdom! It is important to see also a continuation in all parts of the Shipping spectrum from the off-spings of many members. Mentorship too can be easily observed, excellent!

Lastly, one has to mention the excellent, as always, service of the Trailfinders’ personnel at all times with a big smile ready to serve you! They have now become …members of the HESGB family too!

Some of the newly elected and re-elected members of HESGB Governing Committee and friends

Some of the newly elected and re-elected members of HESGB’s Governing Committee and friends

We now look forward to HESGB’s 4th February 2017, the 22nd Annual Ball; until then enjoy the summer wherever you are and ensure you ink your diaries for all other gatherings HESGB is organising. A must to refer to HESGB Secretary Patty Apostolopoulou immense participation and contribution, even if she’s thousand of miles away in the Far East, but she manages to keep us posted for all HESGB and other events! Log on at www.hesgb.com   to find out more!

__

Viewers can log  here  at  Doc1  and read the full HESGB Governing Committee members for 2016-2018 period.

Bahamians know best !

$
0
0
H.E  Mr. Eldred E. Bethel welcomig guests

H.E Mr. Eldred E. Bethel, High Commissioner of the Commonwealth of The Bahamas welcomig guests

What a great event that was earlier on tonight at the IMO!  Over 300 guests amongst them many Bahamians in London participated in the celebrations for the occasion of the 43rd Anniversary of Independence of the Commonwealth of the Bahamas! John Faraclas was there with his camera:

At the specially for the occasion decorated 4th floor at the IMO, Shipping’s most important building in the British capital – not to mention all over Planet Ocean, the Bahamas High Commissioner, H.E Mr. Eldred E. Bethel and Mrs. Dawne Bethel entertained us all in modesty but with unique Bahamian style!

Listening to the National Anthems

Listening to the National Anthems

The Master of Ceremonies and Toastmaster, the internationally acclaimed Pav – the one  & only,  was on a great day too not only for introducing the incoming international guests, but appropriately directing the show too and all the relevant for the occasion procedures even better than the usual for the occasion protocol!

After the National Anthems, uniquely performed by Wilfred Addevley (for the United Kingdom) and Syann Thompson (for the Bahamas) and following a nice acting show by Mr. Bethel’s granddaughter Selina Bettot, His Excellency talked*passionately about the Bahamas and its importance to the world  and shipping on all aspects on these last four decades of success!

The Bahamas High Commissioner with Richard Moir CEO of The Wealth Forums

The Bahamas High Commissioner with Richard Moir CEO of The Wealth Forums

The weather conditions prevailing were unique so the gusts had also the chance to take advantage of the garden veranda overlooking Father Thames and all its surrounding monuments and important buildings, including that of the Houses of Parliament.

Excellent live music and well prepared international food; nice wines and spirits too including some of the best exotic ones that Bahamians re-known for! Don’t ask about the sweets and the freshly prepared fruits!

Among the guests honouring the event IMO’s Secretary-General ​​​Kitack Lim and many heads of IMO national delegations, class society representatives, maritime lawyers. marine consultants and other key players. Richard Moir from the Wealth Forums was there, as were Elisabeth O’ Regan from the French Radio in London, Kayleigh Woodman from the Chesterfield in Mayfair, Kannan Sivanathan from Business Connections in London and many many others.

IMO's Secreatry-General   Kayleigh Woodman, Admiral Aliperta and Kannan Sivanathan

IMO’s Secreatry-General Kitack Lim, Kayleigh Woodman, Admiral  Crstiano Aliperta and Kannan Sivanathan

Having spent holidays in the Bahamas during my sister’s 20 plus years there, I was on …home ground and whilst having my special plate of sea-food, had a great discussion with Mrs. Julie Angove Gariba sitting next to me, who latter on gave me her business card only to find out she was the media communications head at the Bahamas Tourist Office in London! Another …trip planned when the circumstances are right!​​​

The Bahamas and its flag rank among the ten best in the world of shipping and I am pleased about such success as back in 1983 I was the first to foresee this growth putting forward relevant proposals to the then government!

The Bahamian Business, Banking and Shipping Services are on a constant improvement modus!

Stunning views from the IMO's veranda

Stunning views from the IMO’s veranda overlooking the River Thames and the Houses of Parliament

Tourism also offers quite a lot and lately The Bahamas have become the destination in the Western Hemisphere for mega cruise ships!

Now, did I hear you say scuba diving?

____

*On the coming update we will add his speech in full.

IUA appoints new finance manager‏

$
0
0
Maria Jauregui

Maria Jauregui

The International Underwriting Association (IUA) has appointed a new Finance Manager to support its work responding to tax and accounting developments affecting the London company market.

Maria Jauregui will provide overall management of the association’s financial responsibilities, producing statutory accounts, budgets and forecasts. But her role will also involve supporting public policy work to represent the interests of member companies on issues of tax reform.

In recent years a sweeping reform of global tax systems has been initiated as major economies have responded to public concerns about tax evasion and promoted greater cooperation between collection authorities.

Dave Matcham, Chief Executive of the IUA, said: “Our member groups looking at taxation developments have very busy agendas and have been responding to numerous consultation documents. It is important that international insurers and reinsurers are aware of the changes underway and the industry engages to ensure that any new rules are fair and equitable. There is a danger that excessive complexity in new legislation could create an undue compliance burden that discourages investment.

“Maria’s appointment will greatly assist the IUA’s work in this area. She has extensive experience of the London Market and will bring detailed accountancy expertise to our support for member companies.”

Prior to joining the IUA Maria Jauregui has previously worked for Barbican Insurance Group, Charles Taylor plc and Liberty Mutual Insurance Europe. She replaces the IUA’s existing Finance Manager John Lane who is retiring.

The IUA operates working groups for direct and indirect taxation. Both report to the association’s senior Legal and Regulatory Committee.

TOC Europe Review – From pit to port: dry bulk needs a new path to profitability

$
0
0
Giselle Dazzi, Vale at TOC Europe 2016: “Greater collaboration and innovation are needed in dry bulk operations”

Giselle Dazzi, Vale at TOC Europe 2016: “Greater collaboration and innovation are needed in dry bulk operations”

LONDON, 15.07.2016 - During the golden years for commodities, from 2005 to 2014, high demand and big profit margins pushed companies to produce more and more, sacrificing productivity for volume, and to invest in expensive projects, hoping to bring them to fruition fast enough to profit from the prevailing high prices. Much of that has now come to an end and the dry bulk sectors – from pit to port – must find new paths to an economically sustainable future, heard delegates at the Bulk Ports & Technology 2016 conference. Over two days in Hamburg during June, as part of the 41st TOC Europe Conference & Exhibition, stakeholders from the dry bulk commodities market, shipping and materials handling sectors came together to debate how to adapt to the tough new reality of low growth and low margins.

From super-cycle to marginal market: Vale assesses new bulk realities

Giselle Dazzi, Port & Rail Technology and Innovation Specialist at Brazilian commodities conglomerate Vale, opened this year’s Bulk Ports & Technology conference at TOC Europe 2016 by reminding the audience that although commodity prices and margins are much lower than previously, volumes are still growing nonetheless.

The path (back) to profitability lies in three stages, argued Ms. Dazzi. The first is identifying inefficiencies – a process which lost ground over the previous ‘super-cycle’ of high demand and margins. This entails unlocking past knowledge of how the dry bulk industry achieved productivity gains before the boom, she said.

Secondly, “mindsets need to change”, asserted Ms. Dazzi. Behavioural change will be critical given that “many managers, frontline engineers and operations executives appointed to such positions during the super-cycle have never operated under a marginal environment”.

Finally, greater collaboration and innovation are needed. The mining industry spends very little on research and development for innovation compared to other sectors, especially on mining and processing methods. Greater collaboration is needed between miners and OEMs to achieve the levels of innovation required for long term success, said Ms. Dazzi. Reaching out to other disciplines would also be fruitful, for example with academia – research institutes, universities, etc. – and consultants.

Dry bulk shipping needs zero supply side growth to recover, says BIMCO

The fall in global commodity prices has had a severe impact on dry bulk shipping, with collapsing freight rates compounded by an oversupply of tonnage. The dry bulk market could become profitable again in 2019 – but only if a series of extremely tough and sustained measures are taken by shipowners, year on year, Peter Sand, Chief Shipping Analyst at the Baltic International Maritime Council (BIMCO) told the audience at Bulk Ports & Technology.

Outlining BIMCO’s “Roadmap to Recovery in Dry Bulk Shipping”, Mr. Sand said that 2016 has to be the turning point in addressing the fundamental imbalance of the dry bulk market. The sector cannot expect any positive surprises from the slow-growing demand side, with growth possibly as little as 2 per cent a year for the foreseeable future. So shipowners need to step up to the mark and address the enormous overcapacity of ships – starting now and continuing over at least the next three years.

BIMCO has developed a “zero supply side growth” scenario that requires shipowners to neutralise the delivery of new ships every year by scrapping an equal amount of capacity from the existing fleet. This will stop supply side growth from 2017 onwards. It will not be easy, admitted, Mr. Sand, but it is imperative that the entire industry acts on this to avert even more years of loss-making freight rates.

There will also be bankruptcies and consolidation of fleets, he said. Successful owners of the future will operate large fleets with the size and scale to be able to adopt a risk management approach to chartering. They will plan to have sufficient ships deployed on longer term charters to ensure that the business has the cash flow to sustain it through future downturns.

Consolidation may, in turn, mean that the larger customers are able to fulfil the majority of their dry bulk shipping requirements from a small number of larger shipowners, making it much more difficult for smaller “asset play” owners to survive in the major dry bulk trades. The next three years will be a game changer, not only for dry bulk shipowners, but also the broader industry, he concluded.

Simulation can help dry bulk ports prepare for larger vessels

A recent trend has been to deploy larger vessels in certain trade markets, something which is likely to continue in the coming years because of the opportunities for scale economies and changes in both commodity and shipping markets.

But of course this raises key questions for dry bulk terminals. Is the terminal ready to handle bigger vessels with the current terminal configuration and handling systems? If not, should it expand or redesign? What is the impact of various strategies on performance and cost?

At Bulk Ports & Technology 2016, Age Dijkstra and Dr. Mi-Rong Wu of simulation consultancy TBA outlined some of the options for terminals in coping with larger dry bulk vessels.

To evaluate analytically how larger vessels will influence terminal performance, simulation tools can be used to assess stochastic elements, such as vessel arrivals and operational stoppages. By simulating a whole year of vessel arrivals, said the TBA analysts, all the terminal KPIs can be determined in a detailed manner. In this way, the gain and trade-off from/between various investment and improvement strategies can be clearly compared.

To demonstrate, they outlined a case study with various scenarios for accommodating a Capesize vessel and the gains and trade-offs from deploying more ship unloaders, a separate quay or a longer quay.

For both existing and new dry bulk terminals any investment plans to accommodate larger vessels is based on total cost of ownership (TCO), they stated. But the essential point is that through simulation, terminals can base their investment decisions based on realistic outcomes of the options available.

Safety first for dry bulk terminals

Regulatory and scientific developments to mitigate the risks of bulk cargo liquefaction and handling bulk cargoes that are deemed hazardous to the marine environment (HME) are two major focus areas for the dry bulk terminal industry today, said Andres Gomez Bueno, Executive Committee Member of the International Dry Bulk Terminal Group (IDBTG) a not-for-profit organisation representing 200 dry bulk facilities worldwide, at this year’s Bulk Ports & Technology.

Mr. Gomez updated the audience on work taking place to update IMO’s International Maritime Solid Bulk Cargoes Code (IMSBC Code) and the impact on the port industry. Over recent years, there have been a number of reported incidents – including some major ship casualties with fatalities – resulting from the potential for dry bulk cargoes to liquefy, he explained, mainly from very fine and wet products, such as Nickel and Iron Ore fines, on voyages from equatorial regions.

Following some years of research and lobbying, the requirement to test for and classify dry bulk cargo according to its potential to liquefy became mandatory under IMSBC from 1 January 2015. Industry, scientific community and regulatory bodies have worked together to develop a new test method, known as the Modified Proctor/Fagerberg Test, to be carried out in port before a cargo is loaded, which is more representative of the potential for a cargo to liquefy than previous approaches, he said.

The new test is now recognised as industry best practice, but is not yet compulsory under IMSBC. If the Modified Proctor/Fagerberg Test is adopted under the Code, added Mr. Gomez, “shippers, terminals and vessel masters will be able to directly comply with the IMSBC with the confidence of an approved and representative test for the cargo being transported.”

From 1 January 2016, the IMSBC Code also stipulates that cargo residues classified as hazardous to the marine environment (HME) should be discharged at port reception facilities and not at sea. But this has been a contentious development, said Mr. Gomez, and is due for further discussion at an upcoming meeting of IMO’s Marine and Environmental Protection (MEPC) Sub-Committee. If fully adopted, “ports will be required to provide access to discharge reception facilities for bulk cargo residues in the future.”

Shippers, terminal owners and operators, together with vessel owners and operators, are working with national and international regulatory authorities to improve the safety and environmental outcomes for the loading, unloading and transportation of cargoes, asserted Mr. Gomez. Ultimately, this should result in best management practice being adopted and regulated in the IMO IMSBC.

Spread the word: next generation of containerised bulk handling takes shape

New revolving spreader technology is enabling shippers and ports to build efficient bulk handling systems around containers, allowing export supply chains to be set up at a fraction of the usual cost and giving standard container terminals the ability to diversify into bulk markets.

Cameron Hay, Chief Sales Officer at RAM Spreaders told delegates at Bulk Ports & Technology 2016 that the latest generation of containerised bulk handling (CBH) using the company’s “Revolver” spreader system eliminates the need for conveyors, shiploaders and storage sheds, greatly reducing the time and cost to develop a bulk handling operation. The system, which is designed for use with open top containers or specialised bulk containers, also eliminates dust and associated clean-up costs and is virtually man-less in terms of operation, he said, with loading rates of 1,700 tph per crane.

Under CBH, materials are loaded into a specialised bulk or open top container at the mine or facility. The container is then sealed and transported by road, rail or inland waterway to the port, eliminating stockpiles and potential contamination of commodity. After storage at port, the contents of the container are discharged into the ship’s hold by the revolving spreader.

CBH is especially suitable for high value or environmentally sensitive bulk cargo, for small throughput volume cargoes that can’t support the cost of a dedicated bulk export facilities and where existing container facilities exist that are under-utilised, said Joel G. Shirriff , Vice President & Global Practice Lead – Terminals & Transportation at Ausenco.

The global engineering firm has recently used the CBH technology on a $100 million project in Peru, designing a complete logistics system to move 1.5mt/yr of copper concentrate from Las Bambas mine near Cusco, 4,300m above sea level, to Matarani Port for export. Incorporating a fleet of custom bulk containers and specialist revolving spreader equipment, the new system covers a 420km truck haul, Transfer Station, 310 km rail haul to the port and a container receiving and unloading system at Matarani, including conveying to a conventional bulk handling system.

TOC Europe 2017 takes place from 27-29 June at the RAI Amsterdam www.toc-events.com

Viewing all 527 articles
Browse latest View live